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F*rtPrernie
FirsfNlglrtShow
sirana
liside1
1 PavelFoit
JizdalDrive 2:25
2 Chaim
Towber-Don
Raye-Alexander
0lshanetsky
I LoveYauMuchTooMachlMilujiti piespiiilii 3:25
3 BrianSetzer.
$trayCat Strutlfointi chrtzetuulavdkoiky 2:45
4 BrianSetzer
l-anelv$urnmerl\iights/Osamilost
letnichnoci 3:08
5 EddieRabitt-Even
Stevens-David
Malloy/Hynek
Zaldik
Prettvfady/Poslechni
si pisert 2:40
Miloslav
Talidn- zpdv/vocal
6 PavelFoit
Pahuda!
Nice Weather 2:50
7 DonFelder-Don
Henley-Glenn
Frey
Hote!ealifornia3:12
sirana
Zlside
2
8 PavelFoit
lta za*dtkuby!rskenroV['lleStaftedWithBock'n'Boll 2:35
9 PavelFoit
Kdyijsernvid6lJoniMitekelllWhen
I SawJoniMitchell 3:00
PavelFoit- zp6v/vocal
10 Pavel
Foit
Fekni*chvile/NiceWhile 3:00
11WayneCarson
Thompson/Eduard
Kre'dmar
The!-ett*r/Dopis,3:20
Ladislav
Sbor/chor
Staidl
12 PavelFoit
Sfovan6kdyn*statilWordsAreNotEnough 3:05
13 EddieRabitt-Even
Stevens-David
Malloy/Pavel
Foit
Rockin'With My SabVl
Ndkdyse takstdvd 2:42
PavelFoit- zpdv/vocal
14 PavelFoit
Ve $pnn$Isku
bylop*kn'S//fWasFunnyln Spain 1:27
Ar*nicvaii/nrranged
byPavel
Foit(1-6,
(7)
8-14),0ndiejSoukup
Pave!Foit- elektrick6
a akustick6
kytarya zpdvielectric
andacoustic
gujtars
andvocal
JiiiJeeh- tenorsaxofon
solo/tenor-saxophone
solo(3,4)
Ladislav
Stsidlsesuimorchestrem/Ladi'slav
$taidl*rcliestre
Hudebnireiie/recording
directorsPavelKiihnJKvdtoslavRohleder
Zvukovireiie/recording
engineers
Frantiiek
Rebidek,
Jiii Brabec
Nah16no
v lednu1983
v praisk6m
studiuMozarteum/Recorded
at the Supraphon
Mozarteum
studio.Prague,
inJanuary
1983
0dpovddniredaktoy'editor
Miroslav
Cerni
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The.leading
forcebehind,60
s rockwasdoubtresry
represented
bythe
leadguitarplayers,
andtheczechscene
wasnaturariy
no.i.rption io
thisrule.Oneof theprague
bands
of thiserawasalsoa starting
iint
Ior.:..,..,.-j.:.r.
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Uii, fi'^i* v.r" intheever
changing
setupof theFlamengo
band,
whichatvarious
timesincluded
manypioneers
of thelocalrocliscene.
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isshownonKuiev hodinkdch
(Thechicken
inthewatch).album,
asJumed
to beoneofihe tlmeres,
cLrrlnation,
- ot
theczechrockhistory.
lt wasrereased
I
at a timeot generiiiaieni
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migration
of rockmusicians
wasqoinqthrouoh
a oecrsron
whether
to staydevoted
to rockmusiconlyor iito l6okfora position
inothermusical
styles,
whichmeantalsoiwioeiianie oi
opportunity
to play.
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a musician
cannot
denyhisroots,andit wouldbe
unnatural
if rockeducated
players
triedto dothat.oneof ineaitists
whoisstanding
onthebothsidesof thelinebetween
rockandpop
musicis i'. .. j -,'..Afterleaving
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hestayed
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iuito
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singeiHelena
Vondriickovii,
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timeheworked
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whichwasusedforstudio
l: -:* ( , r 1 dS. t c uo r c h e s t rLua d i s l a vSat a i O t a ,
workwiththeC& KVocalgroup.
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since1976
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aswastheMusicotherap
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