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57
The Phantom of the Opera
KRIST"N za/’n‡ vokalizovat zvl‡*tn(, jej’ p’se. *plh‡ v+* a v+* v z‡kladn’m lad(n’. Kdy' KRIST"N dosp(je ke
svŽmu z‡v(re/nŽmu vrcholnŽmu t—nu, doraz’me do FANTOMOVA doup(te. V p&edn’ /‡sti jevi*t( se sv’ce v jeze&e
[SHE begins to vocalise strangely, her song climbing higher and higher in pitch. As SHE reaches her final climactic note,
zvedly,
aby
odhalily
obrovsk+
rozv(tven+
sv’ceninnasti.uj’c’
prostor.
st‡v‡
postel’ um’st(nou
jevi*t(,
we arrive
in the
PHANTOM's
lair. Downstage
the candles
the lake have
lifted to1lun
revealse
giant
candelabras
outlining theuprost&ed
space.
ve kterŽm jinak dominuj’ velkŽ varhany na jednŽ stran( a dokonce je*t( v(t*’ zrcadlo na stran( druhŽ, kterŽ je pokryto
The boat turns into a bed, occupying the centre of the stage, which is otherwise dominated by a huge pipe organ on one side
p&ehozem.
and an even larger mirror on the other, the latter covered by a dust-sheet.
The PHANTOM
sits at kthevarhan*m
organ andatakes
over the
accompaniment]
FANTOM
si sedne
p#evezme
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The Phantom of the Opera
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The Phantom of the Opera
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The Phantom of the Opera
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The Phantom of the Opera
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The Phantom of the Opera
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The Phantom of the Opera
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64
The Phantom of the Opera
B"hem celŽ tŽto scŽny FANTOM p#izp*sobil KRIST!N na chlad svŽho doteku a jej’ prsty se neob‡vaj’ zabloudit k jeho masce a
[During all this, the PHANTOM has conditioned CHRISTINE to the coldness of his touch and her fingers are brave enough
pohladit ji bez n‡znaku toho, ,e by ji cht"la odstranit z jeho obli&eje.
to stray to his mask and caress it, with no hint of removing it.
FANTOM
ji odv‡d’
zrcadlu,
kterŽho
a ve the
kterŽm
vid’me
KRIST!N
ve svatebn’ch
$atech, jej’,
The PHANTOM
leadskher
to the ze
mirror
fromsejme
whichp#ehoz
he removes
dustcover
andzobrazen’
in which we
see the image
of CHRISTINE,
a perfect
wax-face
impression,
wearing
a wedding gown.
voskov%
obli&ej
p*sob’
dokonal%m
dojmem.
CHRISTINE moves slowly towards it, when suddenly the image thrusts it's hands through the mirror towards her. She faints.
KRIST!N
se pomalu
zrcadlu,
jej’ zobrazen’
The PHANTOM
catchesbl’,’
her kand
carrieskdy,
her tonajednou
the bed, where
he lays hervzt‡hne
down] ruce skrze zrcadlo sm"rem k n’. KRIST!N omdl’.
FANTOM ji zachyt’ a odn‡$’ ji k posteli, na kterou ji polo,’.
Allargando
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7. Act I / Scene 5
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